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Evaluating the characters of the story = ais she the main characters of the story ? why? bis her characters static or dynamic? why Describe Ping pls sge na paki sagot po yan


  • Réponse publiée par: kuanjunjunkuan
    The attribution of a personal nature or human characteristics to something nonhuman, or the representation of an abstract quality in human form.
  • Réponse publiée par: trizianichole20
    Camara laye is the correct author pero yun ang alam ko
  • Réponse publiée par: christiandumanon
    Shakuntala stands for all that is beautiful in indian womanhood. she would risk her honour as a woman for the love of a man, and yet she would not take one harsh word that goes against her dignity from that man. she has the softness of the softest flower and yet she is as fierce as fire itself. she is strength that knows how to bend. she is the courage to trust. she is silence that knows how to be eloquent when the need arises. 

    in the mahabharata her story is told by vaishampayana in response to a question by king janamejaya about his remote ancestors.  the women who people our epics are shaktis: each one of them is endowed with power, sure of herself, sure of the choices she makes, sure in her speech, protective, passionate, loving, giving, hungry for life, filled with adventurousness, a fearless wanderer in life’s vast fields. 

    she inherits her soul from our vedic women: independent, assertive, strong winners, who took responsibility for themselves. authentic women who participated in all fields of life as men’s equals. they debated on the meaning of life with the best of philosophers. they explored the mysteries of existence just as the men of their times did. they composed poems, sacred and mundane, poems of the soul and of the flesh, singing of spiritual ecstasy and sexual longing, that survive to this day. 

    the changes kalidasa makes in shakuntala tells us much about the changes that took place in women’s status, her role in a man’s life and societal and familial expectations from her by the time we leave behind epic times and reach what modern historians call the golden period of indian history. vyasa’s shakuntala is strong. she is shakti, bold and fearless. in the case of kalidasa’s shakuntala, her strength lies in her weakness, in her helplessness. she is an abala: an infantilized woman whose strength is her capacity to invoke protectiveness in us.
  • Réponse publiée par: cbohol56


    montaigne is proposing that a it is better for a woman to not smell of perfume, because perfume may be hiding a natural body odor that stings the nostrils or may just smell like pure gasoline. he illustrates this though, "the most perfect smell of a woman is to smell of perfumes are rightly considered suspicious in those who use them, and thought to be used to cover up some natural defect in that quarter. (141)" i highly disagree with montaigne and plautus' quote, "a woman smells good when she does not smell," found on page 141. smell is a way that we can be identified. we will be identified in a bad way if we smell bad, but in a good way if we smell good, but we may not be remembered at all if we have no smell. so ladies, ignore montaigne purpose when he says, "the simplest and most natural smells seem to me the most agreeable

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Evaluating the characters of the story = ais she the main characters of the story ? why? bis her cha...